本創作課程以實作為主，授課內容敍述如下：
1.選擇載體：漆畫載體多元，本課程以木板作為創作載體。
2.繃布：將糯米粉加熱煮糊後，與生漆拌成黏著劑，將麻布繃覆於載體之上，做為強化。
3.打底：以生漆和黃土粉或細瓦灰混合，在載體表面打底，以增加載體的堅實度和填補載體的縫隙（填目）。
4.打磨：載體乾硬後再用粗水砂紙磨平。
5.上底漆：至少塗三層，再刷中塗漆和上塗漆，等乾燥後磨光。
6.構圖：繪製草圖後，描繪於載體上。
7.髹飾技法：依畫面需要，選取漆藝髹飾技法妝點畫面。
8.細水砂紙研磨。
9.提裝：在表層塗上一層薄薄的提裝漆或生漆。
10.推光：以推光粉（鋁色粉、鹿角粉…）推光至滿意為止。
11.作品完成 。
This creation course is mainly based on practice, and the teaching content is described as follows:
1. Select the carrier: There are many kinds of carriers for lacquer painting, and this course uses wooden boards as the creative carrier.
2. Stretch cloth: After heating and boiling glutinous rice flour, mix it with raw lacquer to form an adhesive, and stretch the linen cloth on the carrier as a reinforcement.
3. Primer: mix raw lacquer with loess powder or fine tile ash, and prime the surface of the carrier to increase the firmness of the carrier and fill the gaps in the carrier (filling).
4. Grinding: After the carrier is dry and hard, smooth it with coarse water sandpaper.
5. Apply primer: apply at least three coats, then apply intermediate paint and top coat, and polish after drying.
6. Composition: After drawing the sketch, describe it on the carrier.
7. Painting techniques: According to the needs of the picture, choose lacquer painting techniques to adorn the picture.
8. Grinding with fine water sandpaper.
9. Lifting: Apply a thin layer of lifting paint or raw lacquer on the surface.
10. Push light: use push light powder (aluminum toner, antler powder...) to push light until satisfactory.
11. The work is completed.
1.選擇載體：漆畫載體多元，本課程以木板作為創作載體。
2.繃布：將糯米粉加熱煮糊後，與生漆拌成黏著劑，將麻布繃覆於載體之上，做為強化。
3.打底：以生漆和黃土粉或細瓦灰混合，在載體表面打底，以增加載體的堅實度和填補載體的縫隙（填目）。
4.打磨：載體乾硬後再用粗水砂紙磨平。
5.上底漆：至少塗三層，再刷中塗漆和上塗漆，等乾燥後磨光。
6.構圖：繪製草圖後，描繪於載體上。
7.髹飾技法：依畫面需要，選取漆藝髹飾技法妝點畫面。
8.細水砂紙研磨。
9.提裝：在表層塗上一層薄薄的提裝漆或生漆。
10.推光：以推光粉（鋁色粉、鹿角粉…）推光至滿意為止。
11.作品完成 。
This creation course is mainly based on practice, and the teaching content is described as follows:
1. Select the carrier: There are many kinds of carriers for lacquer painting, and this course uses wooden boards as the creative carrier.
2. Stretch cloth: After heating and boiling glutinous rice flour, mix it with raw lacquer to form an adhesive, and stretch the linen cloth on the carrier as a reinforcement.
3. Primer: mix raw lacquer with loess powder or fine tile ash, and prime the surface of the carrier to increase the firmness of the carrier and fill the gaps in the carrier (filling).
4. Grinding: After the carrier is dry and hard, smooth it with coarse water sandpaper.
5. Apply primer: apply at least three coats, then apply intermediate paint and top coat, and polish after drying.
6. Composition: After drawing the sketch, describe it on the carrier.
7. Painting techniques: According to the needs of the picture, choose lacquer painting techniques to adorn the picture.
8. Grinding with fine water sandpaper.
9. Lifting: Apply a thin layer of lifting paint or raw lacquer on the surface.
10. Push light: use push light powder (aluminum toner, antler powder...) to push light until satisfactory.
11. The work is completed.
- Teacher: 王 國昌
篆刻史介紹
Seal historical introduction
1.介紹中國歷朝篆刻歷史發展概況：古璽、漢印、隋唐印、宋印、元押、 明清文人篆刻¬
Describes the historical development of Chinese dynasties Seal
2.介紹中國歷朝篆刻派別與篆刻家：明清文人篆刻發展
Introduce Chinese dynasties factions and carver carving
篆刻理論
Seal theory
1.介紹中國歷朝篆刻理論：印內求印與印外求印
Introduce Chinese dynasties carving theory
2.介紹各派別之篆刻創作技法與風格特色：浙派、徽派、皖派、黟山派、虞山派等
Introduction carving various factions of creative techniques and style features
篆刻實作
Implementing carving
1.篆刻刀法、佈局、字體之訓練：刀法、章法、字法
Training of carving knife, layout, font
2.各地方篆刻材料介紹與認識：壽山石、巴林石、昌化石、青田石、泰來石、其他石種
Presentation and understanding of the each local seal material
3.書法篆刻周邊材料介紹與認識：刻刀、印泥、印箋、印譜、臘墨、拓包、毛筆、墨等
Calligraphy introduction and understanding of the surrounding material
Seal historical introduction
1.介紹中國歷朝篆刻歷史發展概況：古璽、漢印、隋唐印、宋印、元押、 明清文人篆刻¬
Describes the historical development of Chinese dynasties Seal
2.介紹中國歷朝篆刻派別與篆刻家：明清文人篆刻發展
Introduce Chinese dynasties factions and carver carving
篆刻理論
Seal theory
1.介紹中國歷朝篆刻理論：印內求印與印外求印
Introduce Chinese dynasties carving theory
2.介紹各派別之篆刻創作技法與風格特色：浙派、徽派、皖派、黟山派、虞山派等
Introduction carving various factions of creative techniques and style features
篆刻實作
Implementing carving
1.篆刻刀法、佈局、字體之訓練：刀法、章法、字法
Training of carving knife, layout, font
2.各地方篆刻材料介紹與認識：壽山石、巴林石、昌化石、青田石、泰來石、其他石種
Presentation and understanding of the each local seal material
3.書法篆刻周邊材料介紹與認識：刻刀、印泥、印箋、印譜、臘墨、拓包、毛筆、墨等
Calligraphy introduction and understanding of the surrounding material
- Teacher: 古 耀華